in the mood for love sinopsis

TheKing in Love (Korean Drama); 왕은 사랑한다; Wangeun Saranghanda;The King is in Love;King Loves;The King Loves; Wang Won's father is the king of Goryeo. Home. The acting was a little raw then, but the cinematography, the mood and the music made it for me! I wasn't really familiar with the actors before ( except Jong Hyun from ML Ifyou're the kind of person who feels unlucky in love, Ore Monogatari!! might be just the anime to raise your spirits.Takeo Goda is a boy who seems to have no hope in the ways of love. He's Inilahinformasi lengkap mengenai film Tune In For Love beserta dengan nama pemeran, sinopsis, dan trailernya. Cari untuk: Cari Film. Tune In For Love. 2019 • 2 jam 2 menit • Rating Bacaterus: 4.1. Berlatar tahun 1994, saat krisis moneter Korea Selatan, Kim Mi Soo dan Cha Hyun Woo bertemu. Yang satu berjuang meneruskan toko roti orang Site De Rencontre Gratuit Pour Les Hommes Sans Abonnement. Ficha Créditos Críticas [259] Tráilers [9] Imágenes [18] Blu-ray [3] Plugin no soportado Disponible en Suscripción Título original Fa yeung nin wa In the Mood for Loveaka AKA In the Mood for Love Año 2000 Duración 95 min. País Hong Kong Dirección Guion Reparto Música Fotografía Compañías Coproducción Hong Kong-Francia; Género Romance. Drama Drama romántico. Años 60. Película de culto Grupos Wong Kar-Wai's Love Trilogy Sinopsis Hong Kong, 1962. Chow, redactor jefe de un diario local, se muda con su mujer a un edificio habitado principalmente por residentes de Shanghai. Allí conoce a Li-zhen, una joven que acaba de instalarse en el mismo edificio con su esposo. Ella es secretaria de una empresa de exportación y su marido está continuamente de viaje de negocios. Como la mujer de Chow también está casi siempre fuera de casa, Li-zhen y Chow pasan cada vez más tiempo juntos y se hacen muy amigos. Un día, ambos descubrirán algo inesperado sobre sus respectivos cónyuges. FILMAFFINITY Posición en rankings FA 2 Mejores películas hongkonesas de todos los tiempos 41 Mejores películas del siglo XXI 45 Mejores películas románticas de la historia del cine Premios 2000 Festival de Cannes Mejor Actor Tony Leung y Premio técnico 2000 Nominada Premios BAFTA Mejor película en habla no inglesa 2000 Premios David di Donatello Nominada a mejor film extranjero 2001 Premio Cesar Mejor película extranjera 2001 Nominada Critics' Choice Awards Mejor película de habla no inglesa 2001 Círculo de Críticos de Nueva York Mejor fotografía y mejor película extranjera Críticas "Insólita y emocionante, preciosa película ... maravillosa, la historia de amor más triste del mundo" "Una de las películas más memorables de los últimos años. Un melodrama sencillo, cotidiano, pero narrado con un arrojo inusitado, con una perfección formal inimaginable en el cine contemporáneo. ... una profunda reflexión, casi susurrada, sobre las relaciones personales, la amistad y el amor. Una maravilla." "Nueva y sofisticada película de Kar-Wai, elaborada con una planificación milimétrica y una sensibilidad fuera de todo convencionalismo" Mostrar 9 críticas más Tu crítica Escribe tu opinión para que el resto de los usuarios la pueda leer. Añade tu crítica Votaciones de almas gemelas Regístrate y podrás acceder a recomendaciones personalizadas según tus gustos de cine Votaciones de tus amigos Regístrate y podrás acceder a todas las votaciones de tus amigos, familiares, etc. Posición rankings listas 1 Mis películas chinas & hongkonesas favoritas 113 5 Mis films asiáticos preferidos 332 10 Mis 10 películas favoritas del 2000 por orden 315 18 Películas con mejor fotografía 106 19 Mis dramas románticos favoritos 166 31 Películas que quiero ver no próximos estrenos 3808 35 Mis 20 películas preferidas de los 00 2000-2009 Por orden 173 64 Mis directores/as favoritos actuales en activo, y de cada uno su película que más me gusta 10 73 Películas con mejor banda sonora BSO 154 96 Películas que me gustaron más la 2ª vez que las vi 16 Si alguna sinopsis cuenta demasiados detalles del argumento, si ves algún error que desees corregir o para completar datos de la ficha o añadir fechas de estreno en tu país- puedes mandarnos un mensaje interno en la página. Si no estás registrado/a puedes contactarnos vía Twitter, IG, FB o por email a info -arroba- filmaffinity -punto- com. Los derechos de propiedad intelectual de las críticas corresponden a los correspondientes críticos y/o medios de comunicación de los que han sido extraídos. Filmaffinity no tiene relación alguna con el productor, productora o distribuidor/a de la película. El copyright del poster, carátula, fotogramas, fotografías e imágenes de cada DVD, VOD, Blu-ray, tráiler y banda sonora original BSO pertenecen a las correspondientes productoras y/o distribuidoras. Últimas películas visitadas 2000 Wong Kar-Wai - In the Mood for Love merupakan film asal Hong Kong bergenre drama romance karya sutradara Wong Kar-Wai. Film ini menceritakan tentang dua orang tetangga yang mengetahui pasangan mereka berselingkuh satu sama lain. Meskipun mereka kemudian menyukai satu sama lain, mereka enggan untuk melangkah lebih jauh. Dirilis 20 tahun yang lalu, film ini berhasil meraih 46 awards dan masuk nominasi sebanyak 51 kali. Film berdurasi 98 menit ini berhasil meraih rating sebesar dari 121,890 pengguna IMDb. Rotten Tommatoes memberi 90 persen Tomatometer dan 94 persen Audience Score. Berlatar belakang di Hong Kong pada tahun 1960-an, film ini menceritakan tentang kisah Su Li-Zhen atau kerap disapa Chen dan Chow Mo Wan hidup bersebelahan di suatu apartemen dan kerap ditinggal oleh pasangan masing-masing karena pekerjaan. Hubungan mereka menjadi dekat karena mereka kerap berpapasan ketika membeli mie dan mereka berdua juga mempunyai ketertarikan pada cerita kungfu. Perlahan-lahan mereka menyadari bahwa suami Su Li Zhen dan istri Chow Mo Wan kerap pergi berbisnis dengan waktu dan tujuan yang sama. Mereka kemudian menyimpulkan bahwa pasangan mereka telah berselingkuh satu sama lain. Fakta tersebut kemudian membuat mereka berteman. Mereka kemudian juga kerap menduga-duga dan penasaran bagaimana pasangan mereka bisa selingkuh satu sama lain. Hal ini kerap membuat Su menangis dan jatuh ke pelukan Chow. Chow kemudian meminta Su Li Zhen untuk membantunya menulis cerita kungfu. Chow bahkan memutuskan untuk pindah ke apartemen baru agar tetangga tak menggosip tentang dia dan Su. Lambat laun mereka menyadari tentang perasaan masing-masing dan hari demi hari perasaan tersebut bertambah besar. Namun, mereka menahan diri untuk melangkah lebih jauh karena tak ingin melakukan hal buruk seperti pasangan mereka. Karena pekerjaan, Chow kemudian pindah ke Singapur. Ia juga mengajak Su untuk pergi bersamanya. Ketika hari keberangkatan, Su terlambat untuk datang dan ditinggalkan oleh Chow. Satu tahun berselang, Su pergi ke apartemen Chow di Singapura. Ia kemudian menelepon Chow yang saat itu tengah bekerja. Namun Su tak dapat berkata-kata ketika mendengar suara Chow. Ketika Chow kembali ke apartemennya, ia menyadari bahwa seseorang telah mengunjunginya karena menemukan noda lipstik di rokoknya. Tiga tahun kemudian, Su mengunjungi apartemen lamanya dan memutuskan untuk mengontrak kembali. Chow juga mengunjungi apartemen lamanya dan bertemu dengan pemilik baru. Ia bertanya tentang siapa yang tinggal di apartmen sebelahnya dan pemilik tersebut menjawab seorang wanita dan anak laki-lakinya tinggal di apartmen sebelahnya. Chow kemudian pergi tanpa mengetahui bahwa wanita yang tetangganya maksud tadi adalah Su. Baca juga Sinopsis School 2015 dan Daftar Pemain Nam Joo Hyuk, Sungjae BTOB Sinopsis Insidious Kisah Roh Jahat yang Meneror Satu Keluarga Sinopsis Jumanji Welcome to the Jungle Bioskop Trans TV 3 Desember - Film Kontributor Salma Mahjatina ZahraPenulis Salma Mahjatina ZahraEditor Yantina Debora Synopsis Feel the heat, keep the feeling burning, let the sensation explode. Taking place in Hong Kong of 1962, a melancholy story about the love between a woman and a man who live in the same building and one day find out that their husband and wife had an affair with each other. Cast Crew Details Genres Releases Cast Director Producer Executive Producer Writer Editors Cinematography Production Design Art Direction Composers Sound Costume Design Makeup Studios Countries Original Language Spoken Languages Alternative Titles Stvorení pre lásku, Huāyàng Niánhuá, In the Mood for Love - Der Klang der Liebe, Aşk Zamanı, 화양연화 리마스터링, 花様年華：2000, В настроение за любов, Desitjant estimar, Stvořeni pro lásku, In The Mood For Love, Ερική Επιθυμία, Deseando amar, Con Ánimo de Amar, در حال و هوای عشق, מצב רוח לאהבה, Szerelemre hangolva, 花様年華, სასიყვარულო განწყობა, 화양연화, Meilės laukimas, Spragnieni miłości, Amor à Flor da Pele, Disponível Para Amar, Любовное настроение, Любовний настрій, Tâm Trạng Khi Yêu, 花样年华 Genres Themes Moving relationship stories Relationship comedy emotion, emotional, moving, sadness or feelings sex, sexual, relationships, erotic or sensual romance, emotion, relationships, feelings or captivating marriage, emotion, romance, relationships or feelings romance, charming, comedy, witty or delightful Show All… Premiere 20 May 2000 France Cannes Film Festival 26 Sep 2000 Spain San Sebastián Film Festival 14 Oct 2000 South Korea Pusan International Film Festival Closing Film 27 Oct 2020 South Korea Busan International Film Festival Restored Version Theatrical 29 Sep 2000 Hong Kong 21 Oct 2000 South Korea15 27 Oct 2000 08 Nov 2000 FranceU 26 Jan 2001 02 Feb 2001 USAPG 23 Feb 2001 Brazil14 15 Mar 2001 NetherlandsAL 29 Mar 2001 AustraliaG 31 Aug 2001 LithuaniaN-7 28 Sep 2001 Turkey 29 Oct 2020 Thailand 04 Mar 2021 28 Apr 2021 Italy 29 Apr 2021 Hong Kong 02 Jul 2021 FinlandS Physical 21 Jan 2002 Greece 06 Apr 2006 NetherlandsAL 25 Nov 2021 Germany6 TV 11 Oct 2002 NetherlandsAL Popular reviews More I remember back when this girl and I were still together, she once asked me when I fell in love with her. I told her it was like a house you pass every day on the way to work. One day, you notice a for sale sign on an empty lot. Another day you drive by and you notice they've laid the foundations. Another day, the walls are up, and another day there's a roof, a garage, and finally a family living inside. You don't know exactly when all this happened; you just looked one day and noticed it was there. I tell you this story because it reminds me of a line from In the Mood for Love -… this movie INVENTED the color red. pay up taylor swift The scenes where the main song of the film appears and the protagonists come and go in slow motion, are a cinematographic orgasm rarely achieved in the history of the cinema me wong kar wai Heres a reminder that love is painful and "in the old days, if someone had a secret they didn't want to share... you know what they did?""no idea.""they went up a mountain, found a tree, carved a hole in it, and whispered the secret into the hole. then they covered it with mud. and leave the secret there forever.""what a pain! i'd just go get laid."still probably the definitive cinematic depiction of romantic longing and loneliness. every texture, color, composition, song and overall stylistic flourish contributing to an intense mood of lush melancholy. also helps that most of this movie is just two of the hottest hong kong actors of all time, sitting around beautiful mise-en-scène in beautiful clothing, smoking and eating noodles sensually. This review may contain spoilers. I can handle the truth. if i was married to mrs. chan i simply would not cheat on her. rip to mr. chan but i'm different. For something called In The Mood For Love, this is one of the loneliest films I’ve ever seen. Pure those dresses were an absolute SERVE I'M IN THE MOOD FOR DEATH “It is a restless moment…”Writing about “In the Mood for Love” has always been a bit like dancing about architecture. “If we could tell a film,” a frustrated Jafar Panahi once raged under house arrest, “then why make a film?” If we could express in words the heart-stopping beauty of Wong Kar Wai’s sensually choreographed shadow tango or bottle the shudder of feeling that runs up our spines at the first strains of “Yumeji’s Theme”, he wouldn’t have felt compelled to shoot it. For 15 months straight. To an extent that’s true of all Wong’s work, which is singularly cinematic even in its shortcomings. But the feeling is perhaps most palpable with “In the Mood for Love,” which was… you know how in the Sixth Sense the color red represents that ghosts are around? okay well this is just like that except red represents me wanting to fucking die and its in every shot These two should fuck!!!!!!! Among other things, this is a film about how hard it is to watch movies all the time when you’re married. Mentioned by Esta nueva película de Wong Kar-Wai -Premio al mejor actor y al equipo técnico en Cannes 2000- describe el romance entre Chew Mo-Wan, periodista, y Su Li-Zhen, secretaria, que descubren que sus respectivos cónyuges mantienen una relación amorosa. Arranca con el traslado de ambas parejas al mismo inmueble de apartamentos en el Hong Kong de 1962. La natural simpatía que produce la vecindad se refuerza con el paulatino descubrimiento de la infidelidad de sus esposos. La atracción mutua irá creciendo, pero sabrán controlar sus sentimientos. “No somos como ellos”, dice Su Li-Zhen. “No deben cometer el mismo error que sus parejas”, glosa el director. Kar-Wai cambia de estilo en cada película, adaptando la factura visual a la historia y buscando nuevas formas de expresión. En Chungking Express revolucionó el thriller integrando técnicas de vídeo-clip. Ahora retorna a los clásicos y, a pesar del moderno tratamiento de las texturas, el color y la velocidad de las imágenes, filma como David Lean en Breve encuentro, referencia obligada de esta cinta. Kar-Wai se centra en sus dos protagonistas de forma obsesiva. De hecho, apenas muestra a otros personajes, ni siquiera a la pareja infiel. La cámara busca las mejores angulaciones, a veces espía, otras espera, otras contempla. Atenta siempre a los detalles nimios, da pleno valor a las miradas, a los silencios, hasta captar los más sutiles deseos de los protagonistas, magníficamente reflejados por Tony Leung y Maggie Cheung, muy famosos en su país. Tan integradas en la trama están la fotografía y las interpretaciones, que los cambios de escena los suele marca un movimiento lateral de la cámara que culmina en un nuevo vestido de Maggie Cheung. También resultan muy sugestivos los boleros de Nat King Cole, cantando en español, que llevan la acción como en volandas. No por casualidad, la relación de la pareja protagonista es mostrada siempre a media luz y se da a la vista de todos en restaurantes, paseando por la calle… Toda una lección de elegancia en un momento en que una sensiblería epidérmica confunde amor, pasión, romance y magreo descarado. La transitoria compañía que se hacen los protagonistas les conviene, pues necesitan afecto; pero su sentido común y su calidad humana les hace comprender que lo más sensato es dejarlo, aunque resulte doloroso. Kar-Wai rueda por instinto y realiza después un audaz trabajo de depuración de todo lo superfluo. De ahí que sus películas no suelan rebasar los 90 minutos. En cualquier caso, no les falta nada, al menos no a In the Mood for Love Deseando amar, una lección de cine que merece ser estudiada y asimilada. Best summary PDF, themes, and quotes. More books than SparkNotes. In the Mood for Love Summary It is the year 1962 in Hong Kong, thirteen years after the establishment of the People's Republic of China under the leadership of Mao Tse-tung, the same year Mao proposed the Socialist Education Movement that would be a major precursor to the Chinese Cultural Revolution. At this time, Hong Kong is seeing an influx in migration of mainlanders to the island, particularly those wary of political upheaval. The film begins in the bustling apartment of Mrs. Suen, who is engaged in a spirited conversation with her neighbors and mahjong partners, the Koos. A young married woman named Su comes to Mrs. Suen about the room she has listed for rent in her apartment. Su is inquiring on behalf of herself and her husband, who frequently travels for work. They're looking for a place to live in Hong Kong. Mrs. Suen rents Su the room. As Su is leaving, a young man, about her age, comes to Mrs. Suen's door. He's inquiring about the same classified ad. His name is Chow. Mrs. Suen tells him that she just rented the room, but that he should speak to Mr. Koo next door; he has a room to rent, because his son has just gotten married and moved out of the apartment. Shortly after this encounter, Chow and Su move into their respective rooms. Move-in is made even more hectic and claustrophobic due to both couples moving in on the same day, at the same time. Neither Chow's wife nor Su's husband is present for the move-in. The movers keep accidentally switching items, bringing Chow's things to Su and vice-versa. Once they're all moved in, Chow and Su encounter one another in the alley and by the noodle stalls, where they both often get dinner for themselves, in the frequent event that their spouses are working late. Life goes on as usual for a time—Su works as a secretary to a businessman named Mr. Ho; Chow works as a reporter for a Hong Kong newspaper. The Suens and Koos are dazzled by the things Su's husband sends and brings home from his travels in Japan, particularly an electronic rice cooker. He brings one back for Mrs. Suen and Chow. He also brings back fine gifts for Su's boss, Mr. Ho. Specifically, the gifts are for Mr. Ho's wife and mistress. Su logistically facilitates Mr. Ho's affair by scheduling dates with his wife and mistress, making sure he has gifts for them on special occasions, and making sure the wires never cross, that both women are happy, and that Mrs. Ho never hears about his mistress. As the weeks go by, it becomes clear that Chow's wife is lying about where she is. One night, when she tells him not to wait up, that she'll be late home from work, Chow shows up at her workplace to take her out to dinner. Another person who works there tells Chow that she left early that day. Then, one afternoon, Su hears her husband's voice coming from the Suens' apartment. She knocks on the door, and Chow's wife answers. Chow's wife claims to be home alone after calling in sick from work. Su leaves the apartment, but cries to herself in the shower because she knows her husband is having an affair. Soon after Su's husband leaves for Japan, Chow's wife also leaves for Japan, supposedly also for work purposes. One night, Chow asks Su to join him for dinner at a nearby diner. He asks her out on the pretense of wanting to know where she got her handbag so that he can purchase his wife one for her birthday. Su tells him that she'd have to ask her husband, since he got it for her in Japan. They don't sell them in Hong Kong. Then Su asks Chow where he got his tie, and he tells her the same thing she told him about the bag—his wife got it for him in Japan. Su admits that her husband has a tie just like it, and Chow admits that his wife already has the same type of handbag that Su has. They both recognize that their spouses are having an affair with one another. After they leave the restaurant, they start to theorize how the affair began. Then they decide to start roleplaying their spouses, in order to play through some possible scenarios. They start to see each other more often, meeting at the restaurant, each pretending to be the other's spouse. In the course of doing this, they become close companions. Chow shares with Su his dream of writing a martial arts serial for newspapers, and she encourages him to do it. They end up working together on a serial in their spare time. But as they spend more time together—covertly, so as not to provoke rumors—Mrs. Suen takes notice of Su's general absence from the house. She lectures Su about being out too much and not spending enough time with her husband. She suggests that Su should try to prevent him from traveling so much in the future. After being shamed and lectured, Su pulls away from Chow, but Chow doubles down and gets an apartment in another building where they can work together in peace, without the prying eyes of their neighbors. At first, Su rejects the idea, but eventually she visits him at his new place, and they continue work on the serial. But after a while, Chow can no longer deny his feelings for Su. Recognizing that she will never leave her husband to be with him, he asks Su if she would set him up with a ticket to Singapore. His colleague at the newspaper, Ping, told him that the Singapore Daily is short-staffed and looking for reporters. Su asks him why he's rushing off to Singapore, and he admits that while it was never his intention to fall in love with her, he has, and that if she is unable to be with him, there's really nothing keeping him in Hong Kong. He says he needs a change of scene. But before he leaves, he asks her to rehearse their final goodbye, just as they rehearsed their confrontations of their spouses. While rehearsing, Su weeps into Chow's arms. It's clear at this juncture that their relationship has transformed into something genuine, far more than the roleplay as which it began. Three years pass by after Chow leaves for Singapore. Su visits Mrs. Suen's apartment in Hong Kong and finds Mrs. Suen in the middle of packing the place up. She's leaving for the United States to help her daughter raise her children. Suen admits that she doesn't want to leave Hong Kong, but her daughter is bothered by the political situation there, and that if she likes it in the she may never return. Su expresses interest in renting the apartment. She then asks if the Koos still live next door, and she holds back tears when Mrs. Suen reminisces about the times past, clearly thinking of her time spent with Chow. Some time later, Chow visits the Koos' old apartment to see if they still live there, but the man who answers the door tells him that they've been gone for a while. He says that everyone is leaving to escape the chaos of Hong Kong. When Chow asks whether Mrs. Suen is still in the apartment next door, the man says the same thing, but tells him that a young woman lives there with her son. Chow looks through the window and smiles, understanding that his relationship with Su is something that permanently lives in the past. The film then cuts to documentary footage of Charles de Gaulle visiting Cambodia, being greeted by the royal family at the time, calm and order just before a long period of unrest and war in Cambodia. The scene then moves to the temple, Angkor Wat, where Chow whispers a secret into a small hole in the temple wall. Afterward, he fills the hole with soil, enacting the ritual of burying secrets that he described to Ping in a restaurant in 1963, three years earlier. The film ends with sweeping shots of the vacant temple and a title card ruminating on the end of eras and times past.

in the mood for love sinopsis